A story behind the show: Sense & Sensibility at the Folger

There’s a fun tid-bit about one of the shows we featured in our last edition of Great Evenings Out in Washington, DC — Sense & Sensibility.

When the good folks at the Folger were planning their season, they heard about this great show that a company in New York called Bedlam were doing, a very imaginative new take on Jane Austen’s Sense and Sensibility. British literary giants are sort of their thing at the Folger, so they were interested.

Originally, they figured that the New York production of this play would be finished by mid-summer, so the plan was for that production to transfer from New York to DC at the Folger. That would mean that everyone in the New York show would travel down here and perform their same parts. There would be some adjustments for the different shape of stage and house, but still, it would basically be the same show.

Transfers are great for a bunch of reasons. All the work that went in to designing and rehearsing the show get to pay off with extra performances in the new place. Also, the more times actors get to perform a show, the better they get at it. Even just knowing that there will be a fresh bunch of performances for a new audience, can give the actors extra motivation, so the audience often gets a better show whether they see it before or after the transfer. Finally, it generates more paid work for all the actors and some of the other artists involved. Benefits all around.

But as it turned out, the New York production from this fairly small company, became a smash hit. As a result it just kept extending and extending – currently it’s still onstage in New York, through November 20th, a week later than the show is expected to run in DC. When it became clear earlier this year, that the production couldn’t transfer, a new plan had to be developed for the DC run.  The original production’s director and artistic team started working on a brand-new production reusing many of the concepts but with a new, mostly local, cast, new set, and new everything else. That’s what is playing at the Folger right now. In the world of our dreams, New York playgoers and DC playgoers would be talking smack about which production was better with lots of people traveling back and forth to see both.

The show has done enormously well in DC also, and the run has now been extended through November 13th, so as of this writing there are still many opportunities to experience this Great Evening Out.

(Bonus food for thought: Why do theaters call it a “season”, even though it usually stretches from fall to spring? We don’t know, and no one has ever been able to explain it to us.)

Great Evenings Now, and Coming Soon

Fall has come to the DC area. Kids are back in school. Air conditioners are looking forward to a few months of rest. And we are pleased to trumpet the release of the latest edition of our free guide: Just the Ticket: An Insider’s Guide to Great Evenings Out in Washington, DC. In this time of transition let’s take a look at great shows still on stage from the last edition and a couple that are just popping onto the scene from the new book.

With seven shows in five neighborhoods, we’ve got fun things all over DC.

From the June – September edition, a few shows are still going strong and making these great evenings for you to check out:

Hand to God at Studio Theatre has been a big hit for the theater and the run has been extended several times, so it’s still onstage for at least another week or two. This story of a foul mouthed puppet in a church basement has been packing them in for months now. Insiders show up early for the best seat and a drink from the bar, and then get a genuinely fun arts-and-crafts project for the audience: make a sock puppet of your own to take and keep. Pro tip: Tuck the toe of the sock inward to make the articulated mouth. (1501 14th St NW, Washington, DC 20005 202.332.3300 https://www.studiotheatre.org/plays/play-detail/hand-to-god)

Urinetown at Constellation Theatre will keep rocking audiences with laughter through October 9th. It has been playing to sold out houses most nights, so jump on it quickly or you’ll miss it. (1835 14th Street NW Washington D.C. 20009 202.204.7741 http://www.constellationtheatre.org/urinetown.html)

Angels in America at Round House Theatre continues through October 30th. We haven’t seen this yet ourselves, but have heard great reports from friends who have. (4545 East-West Highway Bethesda, MD (240) 644-1100 http://www.roundhousetheatre.org/performances/angels-in-america/)

We thoroughly enjoyed Be Awesome: A Theatrical Mix Tape at Flying V Theatre, which will be on stage through October 9th. It includes 16 songs from the 1990’s, 3 performed live, all with interpretive performances which tie together into the story of a mix tape made by a parent for a newborn child. (4508 Walsh St, Bethesda, MD 20815 No box office phone http://www.flyingvtheatre.com/2016-season/be-awesome-a-theatrical-mixtape-of-the-90s/)

Sense and Sensibility at the Folger Theatre on Capitol Hill. It will continue through November 9th. We’ll be seeing it in about two weeks ourselves. This promises to be spectacular, oh, and the museum exhibit at the Folger Library comparing the literary fame of Shakespeare and Austen is a lot of fun. (201 E Capitol St SE, Washington, DC 20003 202-544-7077 http://www.folger.edu/events/sense-and-sensibility)

And already open or spinning up soon from the October-December edition:

Romeo and Juliet has broken from yon window at The Shakespeare Theatre.

Love’s LaBeers Lost by LiveArtDC clinks glasses for the first time this Thursday night.

Tap the download icon on this page to pull down the latest number and get all the details on these and the rest of the upcoming quarter’s greatest evenings out!